Monday, November 05, 2007

More on 9-11 coverage

David Usborne is the New York correspondent for The Independent, a center-left newspaper in London. He was in lower Manhattan Sept. 11, 2001, and he knew immediately his coverage of the terrorist attacks on the World Trade Centers would be the story of his life. Reading it now, several years later, it brings back the immediacy he tried to convey to readers in England.

At the end of 2001, he wrote an account of how he covered the story and how he felt that day that is, to my mind, one of the best pieces of reporting to come out of that tragedy. He also captured the conflicting emotions and instincts of a reporter covering a very big story in a way that I think any hard news reporter will recognize.
I cannot really describe how I felt then. Everything else – deadlines, cellphones, whatever – drained from my mind. I felt nausea. I suddenly felt terribly frightened. And profoundly shocked. Death is disturbing always, but there are places when perhaps you expect it. A hospital or a battlefield. Foreign correspondents may see it more than most. But this was a beautiful morning in September – in Manhattan. I was correspondent in New York, for heaven's sake, not Jerusalem or Rwanda. Or Belfast. Those jumpers are still with me. Until recently, I could not talk about them without fighting back the need to cry.
The rest of his account relives that day, from the time he rushed to lower Manhattan in the morning to his trying -- unsuccessfully -- to unwind in an East [Greenwich] Village bar shortly before midnight.

Also linked below are:
Read all three stories, and answer the following questions:

1. How do Usborne's accounts of the terrorism that morning in New York City stack up as pieces of writing? Compare and contrast his deadline story that ran Sept. 12 with his year's-end retrospective Dec. 28. What's the same? What's different? What does it tell you about deadline writing?

3. What do you learn from reading Usborne about the ethics and instincts of a journalist? Your careers, hopefully, will involve events that much less dramatic. But there may be some of it you can apply to your own writing. What does Usborne say that you can so apply?

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